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Elit İşcan and Efecan Şenolsun, both young actors, are the parties to another harassment report that allegedly took place on the set of the TV series.

#Elit iscan series#

Finally, an employee working on the set of the Forbidden Apple TV series claimed that Talat Bulut harassed him, but as a result of the lawsuit, Talat Bulut was found not guilty.

The reason why we hear such news more often is that the abused party can make a noise and say stop to these atrocities. It's provincial Turkey, and the most a free-spirited young woman can do, Ergüven suggests, is run for her life.Unfortunately, allegations of harassment are incessant. This isn't The Hunger Games, in which a teenage heroine, Katniss Everdeen, is able to topple an entire oppressive order. None does so more radically than Lale, who dreams of escaping to the comparative freedom of Istanbul. In their different ways, the sisters try, with mixed success, to resist their fate. We find it strangely threatening, although we tend to talk about this in terms more psychological than religious.Īlthough Mustang is essentially a feminist prison movie, it's neither dreary nor didactic. Lest we viewers feel too superior about this, it's worth remembering that American culture shies away, too, from dealing honestly with the sexuality of teenage girls.

A story that begins in a larky eroticism, with Ergüven eyeing the young women rapturously, is gradually suffused with a pained and powerful sympathy for young women shackled by a conservative Islam that finds their natural stirrings obscene. Although her five long-maned mustangs at first seem indistinguishable in their youthful exuberance, all five reveal vividly distinct personalities, from the sexually wised-up Sonay, who's learned the tricks of feigning wedding night purity, to the quieter Nur, who knows family secrets no one else does.Īs our sense of them deepens, so does the film.

#Elit iscan how to#

She works with a freedom and looseness closer to French cinema than to, for example, the rigorous approach of the best-known Turkish filmmaker Nuri Bilge Ceylan.īut like Ceylan, Ergüven knows Turkish reality and knows how to keep her characters anchored in it, a feat all the trickier given that she's working with mainly first-time actors. While Mustang's story is simple and sometimes too neat, it has the zing and energy of life, starting with Ergüven's shooting and editing style. Delightfully played by newcomer Gunes Sensoy, Lale's an irrepressible soul who keeps wondering which, if any of these young women will stand up for herself and refuse to be broken.Īs all this unfolds, the family home becomes a metaphor for an entire culture driven by patriarchal ideas about female purity, family honor, women's sexuality and the belief that women shouldn't be allowed to choose their futures for themselves. Their home has become 'a wife factory,' as it's put by the youngest sister, Lale, through whose keen eyes we see the action. So what if they're kids? The family sets about marrying them off. They give them virginity tests and force-feed them a crash course in being a good housewife. They strip the girls of the devil's tools - you know, cell-phones, makeup, stuff like that.

Led by their abusive uncle, the family basically puts the five under house arrest.